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“Das Rössli wandert”

I did use Buenos Aires for the book “Das Rössli wandert”, published in the Edition R in Bad Ragaz.

Küng Holzbau

Amrhein Anderhalden, the office for Design and conception, did design the new identity of Küng Holzbau (Design and Art Direction: Christoph Amrhein, Heinz Anderhalden and Nina Ruppen).

Pioneer Works

The New York based cultural centre Pioneer Works designed with Messina Sans for the exhibition The Present Is the Form of All Life.

Next expérience

Nouvelle Administration the design collective from Montréal used Mesina Serif and Messina Sans for the visual identity of the conference Next expérience (Foto: Oumayma Tanfous and Triptych).

Strand am Berg

The Swiss photographer Ruben Wyttenbach used Beirut Display for the book Strand am Berg.

Gods I've Seen

The designer Daniel Chehade used Beirut Display for the photo book Gods I've Seen – Abbas, about the Iranian photographer Abbas Attar from Magnum Photos, published by Phaidon.

Terri Timely

The Stockholm based studio Bedow used Cádiz for filmmaker duo Terri Timely and there the visual identity.

Théâtre Prospero

The Canadian design atelier Nouvelle Administration, did use Messina Serif and Sans for Théâtre Prospero, (Photography: Jean-François Brière, Styling: Élizabeth Labelle, Mua: Janick Davidson).

Papierkomplizen 2016

Viola Zimmermann and Adriana Aniello used Cádiz for the annual creative summit Papierkomplizen 2016.

Edition Umbruch

Edition Umbruch used Beirut Diplay for there prizewinning publication (Design and Art Direction: Laura Asmus, Luzia Hein, Marion Schreiber and Svenja Wamser).

Artificio

The Lugano based designer Luciano Marx used Beirut Display for Artificio, a ten day event showcaing contemporary design from Ticino.

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